Entangled Threads: Redefining Success
Momo has written a powerful and poignant essay reflecting on her life and experiences, which Nicola Green has transformed into an artwork. Momo’s handwritten text has been printed with gold dust pigment so her words are valued, heard and resplendently beautiful. As a Mandela Rhodes scholar, Momo feels that the legacy of colonialism in southern Africa should be interrogated through education from a younger age as a means to dismantle systemic barriers to equitable transformation. She feels strongly about actively supporting progress across the African continent through human capital development. Momo emphasises the importance of listening to people’s real lived experiences as a tool for sustainable development. For Nicola the use of gold also references the colonial scramble for Africa’s natural resources, the extractive exploitation of De Beers and the British South Africa Company, and the inequalities that remain in South African society as a result. She has created an artwork in which Momo’s words shine through in defiance of this history.
Tapestry: Seshoeshoe
This artwork is inspired by Momo’s seshoeshoe (shweshwe), a dress worn by (Ba)Sotho women. A historic product of colonialism, seshoeshoe was reclaimed as a symbol of cultural pride and homage to the founder of the Basotho Nation, King Moshoeshoe I, whom the material has been named after. For Momo, wearing this fabric is empowering, and has enabled her to celebrate her heritage in new ways. Her seshoeshoe is bright pink and gold, with royal blue buttons. The three colours represent femininity, regality and fortitude. Momo and Nicola hope this artwork will be understood as a bold and radical reclamation of Rhodes House, a space from which black women have been historically excluded.